Monia Acciari - 51²è¹Ý

51²è¹Ý

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Monia Acciari

Professor, Media Studies

Ph.D University of Manchester

Monia Acciari is Professor of Film History and Heritage Studies at 51²è¹Ý. She studied Film Studies at the University of Bologna, where she obtained her BA and first MA in Film History, working on Federico Fellini’s unpublished radio plays. She completed a second MA in New Media Management at the European Institute of Design in Milan. Dr Acciari earned her PhD at the University of Manchester through a fully funded AHRC (Arts and Humanities Research Council) project entitled Indo-Italian Screens and the Aesthetic of Emotions. She completed her Heritage Data training at the University of Cambridge and is FIAF–BAVASS trained in the digital archiving of cinema.

Prof. Acciari teaches and researches across a range of areas, including film archaeology; archives of Indian cinema and community archiving practices, transnational Indian film history, VR museums and galleries for Indian film heritage, and digital storytelling in South Asia. Her work engages with big data and digital humanities approaches to film historiography, with particular attention to archival metadata, access, and innovative methods such as creative and sensibility-based geolocalisation and mapping. She has extensive experience in film festival curatorship and in curating Indian film heritage for galleries, both online and offline (SDGs: 4, 5, 11, 11.4, 12.b, 16.7).

Prof. Acciari is a board member of the UK Asian Film Festival and the founder and director of the Indian Cinema Archive at De Montfort University. She has been Principal Investigator on several funded research projects in the UK. Her academic engagements include appointments at Swansea University (UK), De Montfort University (UK), and the University of East Anglia (UK), as well as Visiting Professorships at The English and Foreign Languages University (2019), 51²è¹Ý (2021, 2025), University of Pune (Liberal Arts, 2022), and IISER Pune (2022). She has co-edited, with Phillip Rhensious, The Politics of Curatorship (NORIENT Books, 2023), and is currently working on her monograph Fortuitous Archives of Indian Cinema: Now on Record (Amsterdam University Press/Routledge 2027), editing the volume Archivescapes of Indian Cinema (Routledge, 2026), and co-editing a special issue of South Asian Popular Culture on Archives and the Popular.

Monia Acciari, Phillip Rhensius (eds), (2023), Politics of Curatorship: Collective and Affective Interventions, Norient Books. (ISBN: 978-3-9525444-4-0 DOI: https://doi.org/10.56513/duej2028).

Monia Acciari, (2026) “Filmi-tapes: Pop Medium for history making. Intimate and endangered archiving practicesâ€, in Monia Acciari, Kaushik Bhaumik (eds) Remediating pleasures of the archives. Reframing Indian cinema histories across the consumption of archives, South Asian Popular Culture. (Forthcoming 2026).

Monia Acciari (2025) Appartenenze Contese: identita’ in Lotta, Lavoro e articolazioni post-coloniali, in Bangla (2019), in Quaderni del CSCI, n.21, pp.179-190. https://www.csci.eu/8830-2/ (Italian).

Monia Acciari, (2026) “Curating Sholay in Museums and Galleries. The ‘Extratextuality’ of cinema for an object-based film historyâ€, South Asian Popular Culture, (Forthcoming 2026).

Monia Acciari, (2019), “The Permanency of Film Festivals: Archiving the changing Indiaâ€, Studies in South Asian Film and Media, Volume 10, Number 1, October 2019, pp. 41-57(17).

 

Speaker BBC Arts & Ideas (New Generation of Thinkers), Exploring Film Heritage, 17th June 2022. (https://www.bbc.co.uk/programmes/p0cgxgjm).

Best Piece of Criticism on Indian Film History (FIPRECI India 2021).

Inspiring Women in Academia, Institutional Recognition, (De Montfort University, 2021).
Outstanding Contribution to the City (Leicester City Council 2019).

Outstanding Contribution to research and teaching in Higher Education – Institutional Recognition (De Montfort University, 2018).

Screen Archives
Film Festivals, History, Economies, and Practice
Global Film History
Film and material culture
Film Reviewing and Criticism
Curating cinema in museums and Galleries
Digital Screen Heritage
Global television histories
Audience Studies
Film Data

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